YOU'VE GOT MAIL!

These pieces were so much fun to paint and what memories they brought back as I worked on them.  I am so thankful for having the opportunity of being raised out in the hills of the Missouri Ozarks.  We may have been poor but my life is rich with wonderful childhood memories.  This was in the days of no entertainment and you had to actually entertain yourself.  We got a 3 whole channels on the TV and if you wanted to listen to music you had to listen to your little handheld transistor radio and hope their wasn't any interference. Oh, and let's not forget the old "PARTY LINE" phone system.  Not only did we have to share the phone line with 3 other families, we actually heard their phone ring at our house.  Can you imagine a teenager today not being allowed to talk on the phone?

The summer days were filled with climbing trees, building forts, riding bikes and swimming at the creek.  The nights were hot and muggy but filled with the sounds of June bugs, tree frogs, crickets and whippoorwills.  If you laid in your bed really still and focused on all the night sounds you might forget just how hot you were.

One of my absolute highlights was to get a letter in the mailbox.  As I entered my teen years I developed several pen pal friendships and so if I wasn't walking the half mile up the gravel road to Highway 52 where our mailbox was located to mail a letter, I was walking there to hopefully retrieve one.

My dad began to worry that I was in some sort of danger of being kidnapped so he tried to tell me I couldn't walk up to highway any longer.  I pleaded with him and we came up with a compromise.  I would once again be allowed to go on my daily walks only if I carried the shotgun with me.  I guess he figured that I was less likely to be approached by strangers of I was "PACKING HEAT".  In reality the shotgun wasn't loaded and I was somewhat embarrassed by it so I would try to hide it from view if a car drove past but it was the sacrifice I had to make to continue my letter writing friendships undisturbed.  

This piece that I call "Lunch Under the Mailbox" reminds me a lot about my Missouri childhood.  In the summer there were little box turtles everywhere.  They could be found crossing through our yard and often be seen crossing the roads.   I can recall numerous times my mom would pull the car over so that we could render aid to one that might have been flipped over.  They are most certainly my favorite reptile.  I hope I caught the expression  of this little guy and how he is anticipating his tasty flower snack.

Lunch Under the Mailbox- 24 x 36 Original Acrylic

This was the first piece I painted in what I think will be a series of works regarding country life.  You can read that blog called Fence Posts from two weeks ago.

"Life at the Fence Post"- 24 x 36 Original Acrylic

Naples Yellow-SUNSHINE in a Tube

Since I am a self-taught artist, with little or no formal training to speak of, my knowledge of mixing colors is very basic and is mostly what Mr. Easton taught me in high school art class in Eldon, Missouri.  I have spent the past 2 years, going through bottles of white acrylic paint because logic told me that to lighten a color, add white.  I would add white to my colors if I wanted to gradually lighten the base color or to add a refection.  If you add white to green or brown it results in a color that is lighter but often I noticed that the color seemed to loose the vibrancy and actually become duller and even gray.  I couldn't figure out why other artists have the ability to paint beautiful landscapes that reflect bright blue skies, striking sunsets or sparkling water.  Heck, even their dirt is brighter than mine it seems.

At my first painting lesson two weeks ago, I was introduced to an amazing color that I had never heard of before...NAPLES YELLOW.  It is a mixture of white and yellow ochre and maybe something else.  You can find all the specific chemistry used to create this color online, but to me, it is like having SUNSHINE in a tube!  I went right out and bought myself some and couldn't wait to compare the colors that I could mix. 

I also found that I am not alone in my praise of this pigment.  I found a very well written explanation on an artist forum called "Wet Canvas" that I thought I would include.

Larry says...."As a plein air painter of subjects outdoors...I generally observe that light and color appear warmer. It is difficult imitating color we see outdoors in natural light, and our tendency is to add white to "brighten" as well as lighten a color. What I have observed quite some time ago is that white is a cool color (generally speaking)...and yes, it tints...but it also cools the color down and flattens its potential for three dimensional punch. Cooling down or neutralizing works against the notion of "brightening"...and is thus counter productive for me.

What I use as a substitute for tinting closer color to maintain warmth and yet lighten is Naples Yellow. It makes lovely tints that feel warmer. As a color goes back I'll use some Naples Yellow plus white since that color would begin to lose its sense of nearness to the eye anyway, and if I want the color to appear even further back I'll use just the white to tint.

I try to be sparing with my use of white so that particular highlights I want will pop with greater depth illusion. Of course it is not always possible to avoid white...so I'll often add a bit of Naples to the mix after using white to restore some of the warmth lost.

Some will argue against this, as is their right...but such thinking has worked for me for umteen years, and I think where painting is concerned the ends does justify the means. Proof is in the pudding as they say..." 

Larry (09-12-2005, 03:35 PM  http://www.wetcanvas.com/forums/archive/index.php/t-294388.html)

First I took Hooker Green and mixed a small amount of white.  I also took the same amount of Hooker Green and mixed it with an equal portion of Naples Yellow.  You can see my second mixture has a warmer glow than does the first.  I have experienced Hooker Green turning a gray tone very easily when I'm trying to paint a variety of foliage.  Trees don't look that gray to me so this isn't something I want to find happening on my palette.

The second color I mixed was using my bottle of Apple Barrel Chocolate Bar Brown as the base color.  This really showed the remarkable difference in tone and vibrancy as you can see by the photo below.  Naples Yellow has definitely won a big place on my palette. 

Check out my website to see all my available artwork.  julietownsendstudio.com.  I would love to hear from you.