Showing posts with label chicks. Show all posts
Showing posts with label chicks. Show all posts

Wednesday, March 16, 2016

Something to Crow About


Something to Crow About
It was bound to happen.  I've been blogging about the progress I've been making on my most current piece for several weeks and this weekend the final paint strokes were made and my signature added.  I moved the piece off my easel so we could start on all the final steps of photos, varnish and preparing the piece for hanging.  

There is a mixed feeling of satisfaction and anxiety involved with this final process.  Satisfaction that the piece turned out as well as my skill level will allow.  That I have poured your heart into every step of the process and now I have the tangible evidence of my labors sitting propped against the wall.  

The anxiety for me comes in with the empty studio easel.  I don't like the feeling of not having a work in progress and the what-if's and unknowns until I have worked out the renderings for my next composition.   I like the control of knowing what I'm working on and feel a bit uncertain when I can't peek in my studio door and know what I have to do next.  Top these feelings with the reality of the March calendar and that I only have 2 weeks left until I have to hang my show.  Can I finish something substantial in these two weeks or should I just focus on small fun pieces, cowbells and using my new printer to add to my inventory of cards, magnets and prints?   I think the reality that I must face is that I will only have 4 focal pieces for my show when I had planned on creating 5.

  

Being raised in the Ozark Hills of Central Missouri I can tell you that I'm just having a blast painting these cute country scenes.  So you can put your mind to ease that I will continue to paint with this theme for some time into the future.   I'm actually hoping for more venues to open up that will allow "Down Country Roads" to be on public exhibit in the future.  I already have several ideas for my next morning glory covered fence line.

"Something to Crow About" is now available on my website in my landscape gallery.  Check out my other works while you are there. Just click here:  Julie Townsend Studio or on the gallery tab above.  If you are interested in purchasing an 11 x 14 limited print of any of my artwork, just send me a message and I will be happy to work out the details.   




Friday, March 11, 2016

Something Has Gone AFOWL in the Studio


I thought you might enjoy seeing my progression on a piece that I am almost finished with.  It's been about a 3 week process because I don't paint very steady.  A little bit here and a few minutes there is my normal studio habit.  I want to work on that this year but I find I get pretty restless and need to get up after only 20-30 minutes of painting.  I've yet to find that "zone" that other artists speak of where they paint for hours on end and late into the night.  


  
Photo 1- Initial Rendering

This is my first rendering that I did in colored pencil.  It is certainly not a fine piece of artwork but here I'm not really looking for detail as much as a feel and mapping out some of the composition.  I knew I wanted it to be about a crowing rooster on a wooden rail fence with an old wagon wheel.  The piece also had to have the signature morning glories that I have painted into the three other pieces in this "Down Country Roads" series. (Photo 1)


Photo 2-Rough Blocking in of the composition
This next photo is now of me blocking in the main elements of the composition.  I had to repaint that fence at some point because I realized I had made the classic mistake of letting it drift upward and I needed it to be straight.  I pulled out the trusty straight edge and got it back on track.  The background took me sometime to work out.  I finally decided on a the distant ruins of a barn and I think that was a good choice here.  Because I'm working with the canvas in a vertical position, I have a lot of depth to fill in the background. (Photo 2)


Photo 3- Adding Focal elements
With this photo you can see I've straighten the fence line and now begun focusing on the wagon wheel.  This proves to be a really challenge because I want it to have the illusion of leaning against the fence and so my perspective isn't straight on.  I'm not a draftsman or architect so getting the wheel to appear correct and balanced is an issue.  I choose to let it go off the page because it really needed to be that large in comparison to the fence post to look realistic.  I still think it may be too small but that is the difficulty I often face when painting a number of random items from reference photos that are not in the same setting.  (Photo 3)



Photo 4- Adding flowers, grasses and foreground hens
Now we are getting into the final elements of the composition.  I have decided the best thing to do to handle my lack of skill at painting circular wheel and spokes is to have an old board also leaning up against the fence with a healthy growth of beautiful morning glories.  All in all I'm pretty sure I made the right decision there.  I have also begun blocking in the two hens in the foreground. (Photo 4)

Photo 5- Rendering of details to add
This is a little rendering I did of what I had in mind of adding to my painting.  I wanted a couple of chicks fighting over a juicy worm for breakfast.  The sketch has also been added to my greeting card designs and I've matted and framed the original.  The resourceful artist and accountant in me will not let a good sketch go to waste lying in a forgotten portfolio but rather try to turn it into a future revenue source. (Photo 5)



Photo 6-Still blocking in the composition and adding depth
In this photo you can see I have blocked in the chicks and added more layers to the hens and depth to the morning glories and foliage.  (Photo 6)

Photo 7- And this is what it looks like today
 So here we are today and I'm entering into the final stages of this painting.  Did I mention that this canvas is 24 x 36"?  That is a rather large piece and so it does take sometime to work your way to the bottom.  Now I'm obligated to focus on all the details that still need to be added to make this piece really pop.  With a little effort I'm hopeful that this piece will be finished by the weekend and soon be available on my website.  I've taken you from "What the heck were you thinking" to "This might just work after all" to finally "I'm Lov'in it" all in 7 photos.  That is the normal progression for me as an artist.  It progresses from Awful-to Awkward-to Amazing!  Well at least we hope for the AMAZING part.

If you enjoyed my little assemblage of progression photos, leave me a comment below and take a minute to check out my website at JulieTownsendStudio.com.   





Saturday, May 17, 2014

Blessings Often Come in Tiny Packages

This week I was inspired to create this little 8 x 10 acrylic painting of a nesting hummingbird based on a photo taken by my Las Vegas/Tecopa artist friend, Nancy Good.  She had a great deal of drama this past year at her home when a neighboring property owner decided to do her a favor and cut down all their mature trees on one side of the property while they were out of town. What a great and thoughtful neighbor she has.  Between the loss of property and all the legal wrangling of a criminal and civil case that followed could really drag her spirits down if she would let it.  The fact that she found a nesting hummingbird on one of her remaining trees gave her great encouragement and that blessed me.  I was so moved by the story and since I adore these tiny little creatures I just had try to paint her photo.

I learned that the hummingbird nest is usually built in the forked branches of trees but this particular little bird decided this pine cone was a suitable building site.  The tiny cup shaped nest, no more than 2 inches in diameter, is made of many of the normal building materials that you would think of when it comes to bird nests, twigs, leaves, moss and hair were all on the list.  I was surprised to find that spiderwebs seem to be a key ingredient in the construction of this hummingbird nursery. Built entirely by the mother hummer,  the spiderwebs provide the glue to hold it all together and the elasticity to allow the nest to expand as the chicks hatch and grow.   Seems that the entire responsibility of "Nursery Duty" also fall her small little wings.

To purchase the original painting or order prints of "Nursery Duty" you can go to my website at JulieTownsendStudio.com.

"Nursery Duty"- 8x10 Original Acrylic