The rule of NO KISSING

This past weekend I subjected three of my works to the public scrutiny of the Clark County Fair and Rodeo in Logandale, Nevada. Now, I realize that a county fair isn't known for being a haven for renown art critics, but being that I am such a new artist, any opportunity for public display of my work is a learning experience.

 I had dreams that my newest piece, a large 24x36 inch acrylic painting that I call "Utah Reflections" would WOW the judges and I would arrive to find a number of large colorful ribbons prominently hanging all over the edges of its beautiful old barn wood frame. I was quickly brought to reality, when I saw only one single red ribbon fluttering in the slight breezes that blew off the 4H livestock barn.  Under that ribbon, was the judges score sheet and comments. Not wanting to draw attention to myself, I quickly scanned the words printed there. A paraphrase of the comment I found reads something like this, "Really good painting but your focal point is the bridge and you have placed in the corner."

To my untrained artistic mind, having the focal point in the corner was what I thought made the painting interesting. I also noticed, in most of my other works the focal point is off in the corner too.  Now, I realize that I am a self-taught artist and being that I haven't had intense composition training that many scholarly artists have undoubtedly received in the higher halls of art education and so I can confess I really know nothing about the official rules of composition.  Even so, I still think I have a natural eye for design, so I thought I would do a quick study on the subject.

A quick Google search and I found plenty hits on the subject but found the article written by Marion Buddy-Evans called "Art Composition Rules" at www.about.com, proved to be pretty informational and condensed enough for my purpose of a really quick study.  There are several of the rules I know I now remember my high school art teacher, Mr. Easton telling us about.  One was the "Rule of Odds".  I always arrange things with odd numbers because Mr. Easton told us that made for a more interesting composition.  I didn't consider the why to that reasoning, but the article says it is because our brains can't pair things up on the composition and therefore it keeps our eyes moving across the canvas.  Well, I guess I'm good with this rule since my compositions has only ONE bridge.

I also found out about the "Rule of No Fried Eggs".  This rule is broken when you place your focal point right in the middle of the canvas surrounded by bland background.  Since my bridge is off the to far right corner, I'm assuming I didn't break this rule either and of course there is no bland background in any of my paintings.

There also is a "Rule of No Kissing".  This rule is broken when you allow edges of the objects to touch and not overlap or leave spaces between them.  The example was giving in the article of the horizon edge touching the edge of the sun rather than overlapping it.  There is depth and interest giving when objects overlap.  I think I'm good with this rule.

I think it is the "Rule of Thirds" that pertains more directly with my pieces and the placing of the focal point.  In this rule you divide the canvas space into thirds both vertically and horizontally.  The four intersecting points are hotspots and should be considered when you are placing focal point.  Rather than smack dab in the middle, or in my case the far bottom corner, your composition is suppose to be more interesting if you place it one third up or down or one third left or right. 

I know that all rules are there as guidelines and can easily be ignored, but I think it is important for me to consider these rule each time I rip open another canvas.  Rather than just painting and hoping for a great end result, a little more planning might be just the thing.  In reality, I only had one photo of that bridge to work with and I was really struggling with the perspective of the right side of the bridge and that is why I decided to simply paint the bridge right off the canvas.  As the artist, I have the creative license to do that.  The lesson here for me is that when I find an interesting subject matter, I need to take multiple shots, at all different angles so that I have the liberty to paint the focal point anywhere I want. What is really important here is that I learned something this weekend and that I'm still pleased with my piece even if there is only a single red ribbon hanging there.

The Artist's Vacation

For the past several weeks, I have been working on a piece that got it's inspiration from my Utah vacation last summer.  My husband and I spent some time exploring Marysvale and the surrounding area.  Utah is so beautiful that you can't help but be inspired.  Most people go on vacation for a week or two a year and enjoy their destination, snap some photos and maybe even post some of their favorites on facebook. For the most part, these photos soon are set aside to collect dust on the shelf along with the many other albums and scrapbooks.  Not so when you're an artist.  Those vacation photos are so much more than a pretty collection of sunsets, trees and mountain ranges.  Rather they are important research materials.

So, every time I tear into the plastic wrapping to open a new canvas and I  place that blank, stretched cloth on my easel, I begin to remember those details.  My mind begins sorting out those scenes from the clutter of today's busy life and I soon am dusting off the memories of a pleasant and peaceful Utah afternoon.  Soon I am transported back, walking among the tall grass, surrounded by beautiful trees and the music of the Sevier River moving past.  I can hear the sound of the creaking boards from an old bridge that spans it's banks,  built over 100 years ago and now abandoned.  It is the blessing that artists like myself get to experience when they find themselves deep in the their creation.  How hard I work, trying to capture that moment in time and have my audience feel that same amazement and peace I felt on that beautiful Utah afternoon.

I look at other artists and their amazing talent to paint breathtaking landscapes and know that I may never reach that skill level, but I am so in love with the feeling I get when I am deep in a painting.  That feeling that wakes me up in the middle of the night so that I lay there considering what changes I need to make.  No, I will not give up.  Being an artists is an amazing blessing because I get to revisit my experiences over and over and so while I may be in my studio working, I am actually "Gone on Vacation".

You can read the history of this old bridge at : http://www.marysvaleutah.org/things-to-do-things-to-see-marsyvale-utah/scenic-hotspots/131-marysvale-bridge-sevier-river-marysvale-utah.html

Saying Goodbye!!!

It is hard to describe the emotions you feel when you get ready to part with one of your creations...I know I feel all types of mixed emotions...I feel ecstatic that someone appreciates my painting enough to actually buy it; I feel a sense of satisfaction that I am actually heading towards a lifetime goal of being an artist; I also feel a wee bit of sadness that I won't be able to see "Little Bluebird" again; and I feel joy because I know it's heading off to a good home.

And so, all there is to do now is to apply a coat of varnish and find the packing tape, cause this one is SOLD!!!!

Christmas Memories

 I just finished a Christmas painting this week.  I was so inspired by the photo of my best friend's granddaughter that I couldn't help but loading up my brushes with bright red and green.  Christmas is past but I just couldn't wait when I first saw the photo of 3 year old Aubrey, I knew that I had to try and capture that image.  It was like something straight out of the Hallmark Store or a Norman Rockwell Saturday Evening Post.  I've tried to capture that Christmas memory on canvas.  The smell of the pine, crack of the fire and the sweetness of childhood are hopefully all present in my rendition. I made my little girl a bit older and I had to add the old brick fireplace, complete with hung stockings on the mantle and a stuffed bunny to finish off that memory of Christmas past.

"Christmas Memory" is an original work created in my studio in Las Vegas.  It is painted with Acrylics on a 16 x 20 canvas and is framed in an antique wooden frame that just goes with it perfectly.  I sure hope you enjoyed your visit and please come in and check out what is going on in the studio.

Drawing lessons- a priority in 2012

I have recently been reviewing a portrait drawing lesson series that I have had for a year produced by an outstanding pencil artist named Darrell Tank using what he calls his 5 Pencil Method.  His ability to draw with only 5 pencils is astounding.  You are certain that you are looking at a photograph and not a drawing.   Now I have always been able to draw better than most and I am generally able to produce a reasonable likeness of my subject matter.  Except for taking drawing 101 at the local community college 3 years ago, I have never taken any formal drawing lessons.  Since the summer of 2010, I  have become very motivated to become a better artist.  A good painter must also be a able to draw well so these drawing lessons are now on the top of my artistic priority list.  

This week I did a sketch of my cousin's daughter, Allison.  There is just something about this photograph of her that makes me want to grab a pencil or paintbrush and attempt to capture that thin smile and elongated facial expression.  My sketch has a long way to go to be Darrell Tank status, but I'm encouraged by what I see as improvements in my technique and shading.  I've included a couple of older sketches that I did in 2009 and 2010 to make comparisons.

 This next sketch is one that I just drew from my imagination trying to reinforce the shading techniques that I had just observed on the drawing lesson DVD.  Mr. Tank starts with the darkest areas and then shades his portrait from that value going lighter.  He also returns to the darkest areas in the drawing to reevaluate if they are still represent the correct value gradation.  You are always considering your edges and making things appear darker when they are behind or under to give that depth to the facial features.  An example of that is the area under the noise or the ear in comparison to the jawline.  There should never be a boundary line that gives your portrait the color book feeling. The edge should just disappear out of sight.  While this sketch is far from perfect, there is a good amount of correct shading to demonstrate some of the things I have learned.

                                                2010-Gavin                          2009- Jason & Tiffany (frightful)

The Family Tree

For years, I have worked countless hours researching my genealogy along with that of my husband.  It has been a passionate hobby of mine.  Somehow, in my mind, the act of discovering a name or a date brought meaning to the lives of these forgotten generations.  In reality it doesn't take long and the memory of your life is easily wiped from the face of the earth.  In James 4:13-15 we are told "What is your life? You are a mist that appears for a little while and then vanishes."  A cemetery marker, a census record or a vague certificate filed in court house is usually all that is left.  Yet somehow when I discover them it brings their life back into focus and while their are few that have great accomplishments, they make me who I am and their blood flows through my veins and the veins of my children.  This makes it important for me to document as much details as I can about their lives and share their stories with everyone that will listen.

My newest painting really has little to do with this subject except for the name that I have chosen..."The Family Tree".  This pair of cardinals have taken on the awesome responsibility of being a parent.  They have picked a strong and safe location to build their nest, high up in the branches of this oak tree.  Doing what parents of all kinds have done for generations, providing safety for their young and perpetuating their kind.  I hope that as you enjoy this painting that you will think about your own legacy.  It is never too late to say a kind word or make a memory.

$300.00

Blogger in training

I've felt a tugging in my heart to take blogging seriously and begin in ernest to regularly record my thoughts and things I have learned in regards to painting and my Nevada adventures. Of course one has to get out of the house to experience adventure. This isn't an easy task for me because I'm such a home body. So to get me better informed about the whole blogging process I've been reading books on the topic. I've skimmed the book "Blogging Bliss" by Tara Frey and also "Problogger" by Darren Rowse and Chris Garrett. Both books had really good information but the non-techy person that I am finds a bit of struggle with all the information. The one really tecky thing I had previuosly accomplished was getting this blog to link right over to my Facebook notes but this week Facebook announced they were ending this feature. Go figure.