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This week I did a sketch of my cousin's daughter, Allison. There is just something about this photograph of her that makes me want to grab a pencil or paintbrush and attempt to capture that thin smile and elongated facial expression. My sketch has a long way to go to be Darrell Tank status, but I'm encouraged by what I see as improvements in my technique and shading. I've included a couple of older sketches that I did in 2009 and 2010 to make comparisons.
This next sketch is one that I just drew from my imagination trying to reinforce the shading techniques that I had just observed on the drawing lesson DVD. Mr. Tank starts with the darkest areas and then shades his portrait from that value going lighter. He also returns to the darkest areas in the drawing to reevaluate if they are still represent the correct value gradation. You are always considering your edges and making things appear darker when they are behind or under to give that depth to the facial features. An example of that is the area under the noise or the ear in comparison to the jawline. There should never be a boundary line that gives your portrait the color book feeling. The edge should just disappear out of sight. While this sketch is far from perfect, there is a good amount of correct shading to demonstrate some of the things I have learned.
2010-Gavin 2009- Jason & Tiffany (frightful)
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