What Moves You?

I would love to hear about an experience that you had when a piece of art "MOVED" you and stirred an emotion within your soul.  Where were you and do you remember the details of the piece or the artist's information?

I was reading through my Facebook updates this morning and had to read an entry by fellow artist (I love saying that) Elizabeth Robbins.  She stated, "This is why I paint. My soul touches another through my paintings."  She went on to share a letter that she had received from a collector that had just purchased one of her paintings and had relayed the emotional response that the collector's husband had when he saw the painting for the first time.  

Moving the viewer is what art is all about.  My goal with each piece should be to transfer the emotion that I felt when I was taking that hike, viewing the sunrise or witnessing the color splash of a blooming cactus against a rugged landscape to the viewer.  Now not everyone is going to be impacted the same by my art.  Often there will be a memory stirred of a place visited or a special childhood remembrance brought to mind and we don't all share the same memories or emotions.    A piece of art isn't just a wall decoration that is purchased because of the current color of your sofa.  Real art should be something that makes a connection to the viewer.  You want that person to love looking at your piece everyday and never grow tired.  I of course am not implying that my work has reached that level yet but as a landscape artist that is a level I'm trying to attain.  My work may never hang in a famous gallery or be invited to show internationally like some artists enjoy, but someday I too hope to have collectors of my art and people bringing me photos of some favorite vacation memory to commission a piece for them to cherish and pass on to their children.  

As my mission statement declares, "I want to leave little pieces of my heart framed and hanging on a wall for everyone see it, appreciate it and remember me by."  If your interested in seeing my work, be sure and check out my website and gallery at julietownsendstudio.com.

Here is the latest piece I have completed during my lessons with landscape artist, Lily Adamczyk.  This piece MOVES me and I hope that it has that same impact on you.   My goal with taking lessons is that I will be able to paint with such proficiency and color accuracy on my own without Lily looking over my shoulder.  I just want to be a sponge and  soak up the 40 years of her experience in each two hour session, but that takes time and LOTS of practice. Oh and LOTS of LESSONS!

Like a Mad Scientist...Experimenting With Color

Yesterday, I started blogging about a book I was reading written by Margaret Kessler titled "Color Harmony".  I didn't make it off page 15 because there was such good information that I need to spend time  soaking it all in.  I underlined a statement under the subtitle -Increasing Intensity.  Kessler states, "To brighten a dull or tinted color, add a warm color to the mixture."  This is a bit more complicated than that because we all leaned in elementary art class that  if you add primary colors together we get a neutral color.  Not what we want here so she warns that it is important that we understand the proportions of primary color that each color contains.  The natural thought is if you want to brighten a color that you would add white and to darken you would add black.  This isn't  always a correct assumption.  Adding white to a color will often cause the color to be washed out and to look chalky. I will sometimes counteract that by adding some Naples Yellow to the color so that I don't loose the brightness.

 Adding black does darken but can look unnatural according to Kessler.  Payne's gray can darken a color but can also make the color seem boring.  I've decided to remind myself of this fact by only putting the smallest amount of Payne's gray on my palette when I lay out my colors because my natural instinct is to dip my brush in that color when it would be better for me to use dioxidine purple or ultramarine blue for my shadow colors.

Adding the complement of the color can mute and darken the color.  Adding a warm color can brighten or intensify the color. There is a great deal of information shared just on this one page and I know that it is time to pretend that I'm a mad scientist and cook up some color experiments of my own.  I think I just might take a large canvas and just section it off and do a color study this weekend.  Maybe I will just come out with some "Popping" creations and learn something in the process!

Here is my son, Dr. Jared Townsend-a for real scientist

Here Jared is conducting an experiment but I don't think he looks too mad.

Make Your Colors POP

"The road to color harmony begins with understanding the characteristics and properties of the colors on your palette-how to mix and match them so that they work for you.  You must appreciate the full potential of every color and the effect each color has on another." Margaret Kessler

I've had the book called "Color Harmony in Your Paintings" by Margaret Kessler for sometime and I know that when I first received it I flipped through the pages but up to this point I haven't really studied it.  Today I am reading through it's pages and am anticipating the information that I am going to glean from within it's covers.

I find myself underlining several great points on page 15 that deal with the topic of Intensity.  Kessler says, "The key to making your paintings 'pop' is to juxtapose bright hues against dull ones."  I think that I'm going to write this down on a note card and post it on my easel because even though during my painting lessons this has been discussed, I find that in the heat of painting these important foundational points can be neglected.  You really want an object to "POP" you need to paint the lighter values next to a darker color.  Leaves in a tree are a great example.  As you increasingly lighten the value of your leaf color you want to position the brightest leaves in areas that are surrounded by darkness.  I did this in my painting "Fallen" and the birch saplings seem to almost jump off the canvas. Lily also had me place light colors for rocks in the shadows and dark colors for the rocks in the sunlit areas.

Painting completed during my painting lessons with teacher Lily Adamczyk

Last Leaf

This concept again was used in my painting Last Leaf.  The darkness of the pine needles cause the light gold tones in the leaf to just pop off the canvas. 

 

Painting a Very Special Cowboy

There have been several times so far in my journey to become an artist that I have worked on a piece that evokes a strong emotional response and usually this has been connected to a piece that makes me think of my dad.  I've painted two pieces right after his passing that brought me to a place of deep reflection and once again I find myself going there again.

Since another year has past and we now have completed year two, I felt it was time to revisit that old newspaper clipping that I have of my dad riding a buffalo at about 20 years of age.  This is just before he met my mother and of course two years before I was considered. My dad left his home in Hugoton, Kansas and began riding the professional rodeo circuit and I'm sure, gave my granny lots to worry about.  There is something about 20 year old boys that can make any mother's hair turn gray.  I know...I've raised 4 of them and have LOTS of gray hair!

So this morning I'm drinking my usual cup of McDonald's fine coffee and considering the canvas that is just blocked out in acrylic at home on my easel.  To the causal glance, anyone would be able to recognize a typical rodeo scene unfolding but this canvas represents so much more than that to me.  As I lift my brush each time to add to the layers of paint, hoping to achieve the desired effect, I am meditating on what this man meant to me and how great my heart aches that I am no longer able to hear one of his facinating stories, discuss a current event or just hear that familiar voice on the phone.  

Yes, painting is personal and can be a very reflective and healing.  It is a way that I can give honor to a very SPECIAL cowboy, my dad-Gerry Warner Diveley.

My dad riding in the rodeo

The starting of my newest painting-buffalo definitely needs to be thicker

 

"A Cowboy Tribute" 18 x 24 Acrylic-If you are interested in purchasing any giclee prints of this particular piece visit my Fine Art America site at:Julie Townsend-A Cowboy Tribute

I LOVE Old Mining Towns

There is just something about walking around in a history lesson that gets me excited.  I have always loved old things from books, photographs, movies, fossil rocks and even the old portions of cemeteries.  It is no wonder that Nevada holds such a fascination to me.  Only in Las Vegas do they implode the old buildings, while in the rest of the state they are just left to stand as old monuments in the desert.  Some of the towns remain, but are just a slight image of their glory days.  Nevada towns like Pioche, Tonopah, Goldfield and Austin are just a few of my favorites that are living testimonies of their rich history.

If you know anything about me, you know that I love to go exploring in the desert and ghost towns are so interesting to me.  Now all the neighboring states have rich examples of mining boom towns and so my most recent painting was inspired by a visit to Jerome Arizona some 25 years ago.  Jerome boasted a population of over 10,000 in the 1920's to 155 in the mid 1950's.  The 2010 census lists the current population to be around 450.  Cooper was mined here in the boom and now the town depends completely on tourism to survive.

I wish we had taken many more pictures but this old 3 story structure was an amazing shot.  I love the addition of the laundry hanging in the wind to testify that as of that time there were still people making a home within its walls.

I hope you enjoy this 16x20 acrylic that I call- "Jerome".  The finished piece will be available in my gallery page on my website shortly at JulieTownsendStudio.com , but I wanted to give a sneak preview for those that check out my blog.

Original photo we took some 25 years ago

Almost completed painting that I am going to call "Jerome".

Musings of an Over Caffeinated Blogger

This week represents 2 years of blogging for me and this will be my 78th published post during that time.  My first post was published on March 11, 2011 and here I sit, drinking my third cup of my favorite coffee in the same McDonald's that most every post has been either started, completed or at least considered.  To me writing has always been something that I really enjoyed and like painting, wasn't practiced nearly enough during the 30 years I raised my family and worked full-time.

Now don't get me wrong...Business Administrators do have to write an occasional letter but usually they consisted of what was called in my Business English class as  a "BAD NEWS" letter.  You know the one that states you own money, you haven't paid your money or we need to hear from you about your money.  Most of the letters I wrote were connected to the collection process.   Three months retired and that life is like ancient history now.

Writing now for me has taken on a completely different prospective.  I try to focus mostly on my journey as an artist in this blog so the majority of my posts are art related but occasionally there has been a  humorous story about rattlesnakes (5-23-11),  being snowed in on a Memorial Day camping trip (5-31-11) or family traditions like picking apples in Caliente, Nevada (8-8-11).  I enjoy sometimes looking back at my past blogs and remembering those entries.

Blogging is very similar to a public diary because it is really a mystery at who is really reading your posts.  I have read several books on blogging and there are a number of ways that you might measure your success as a blogger.  First is the number of page views.  This morning I have 4310 page views. I check everyday the number and have been excited to see my average nearing 50 a day.  Of course I would like to see 100  or 1000 page views but in two years there is definite growth.  Another measure is followers.  This has been very slow and I'm not sure how to produce more followers but 9 is what I currently have and I'm thankful for those that care to read my blog regularly.

Finally, comments left on your blog can be a positive measure to the success of your blog.  I love to hear the occasional comment but would love to have this be a daily occurrence.  I think that helps you not have that scary feeling that you are just talking to yourself and there is really no one out there.

 So today I'm resolved as ever to keep blogging on..... and hopefully you will keep viewing, following and commenting. 

Packing up the Baby and Saying Goodbye

If you are interested in viewing more of my work then please check out my gallery page on my website at : JulieTownsendStudio.com


The experience of packing up a painting to ship off to a new home is one of mixed emotions for me as the artist.  It is both exciting and a wee bit sad.  I, as I assume most artists do, pour their heart into their creations.  So knowing that it is the last time you will actually see the piece has just a bit of sadness attached.  That emotion is very quickly pushed aside as I realize that a complete stranger to me also appreciates my work and is willing to part with their hard earned resources in this prearranged exchange. 

So yesterday, we followed the steps outlined in a very helpful blog I read a few weeks ago about preparing to ship paintings.  We bought that 1 1/2 thick foam insulation sheet from Home Depot and cut out (2) 18 x 24 pieces.  Brad went out to the shed and pulled out two pieces of cardboard from our stash while I retrieved the tape gun.  I snapped this last picture as we secured "Dreams in Shades of Gold" for the journey to Tawas City, Michigan.

As an artist I have set myself a number of small milestones that measure my progress.  This act of packing up my painting was one of those milestones....Sell a piece to a complete stranger!  Up to this point every painting I have sold has been to a friend or acquaintance.  No longer is that the case.  I have achieved a small but significant goal as an artist and this morning my McDonald's coffee is especially tasty!

Packing up my painting for shipping to the new owner

Prints are available at Fine Art America site.  Just follow this link:  http://fineartamerica.com/featured/dreams-in-shades-of-gold-julie-townsend.html

Dreams of Shades of Gold