Attention All Fine Art Pig Collectors

Just getting ready to pack this up in a box to ship off to Georgia

I just love it when my art finds a new home.  There really is no greater compliment you can pay an artist than to actually make a purchase.  It may be for your own collection or perhaps a special unique gift, but when someone is willing to spend their hard earned money to buy your art, than you just know it was worth it.  

In the five years I have been seriously painting, this feeling never gets old.  Here you see a collector that fancies pigs and approached me via Facebook regarding my sketch that I did a few months ago that I titled "Portly Porker Pals".  Since I knew that I had a cowbell that also featured a chunky swine, I was able to talk her into buy both.   I threw in the two greeting cards free to show my appreciation.  

I snapped this picture just before I boxed it all up and got it ready to ship out tomorrow.  They will soon be on their way to Georgia and I really think they will be appreciated when they arrive.  If you like my artwork shown here you might just want to take a closer look at the rest of my "Down Country Roads Collection.  You can view it on my website at JulieTownsendStudio.com.  This particular piece makes a great greeting card or art magnet to give as a gift.  Just send me a message if you are interested in a specific piece.

Something Has Gone AFOWL in the Studio

I thought you might enjoy seeing my progression on a piece that I am almost finished with.  It's been about a 3 week process because I don't paint very steady.  A little bit here and a few minutes there is my normal studio habit.  I want to work on that this year but I find I get pretty restless and need to get up after only 20-30 minutes of painting.  I've yet to find that "zone" that other artists speak of where they paint for hours on end and late into the night.  

  

Photo 1- Initial Rendering

This is my first rendering that I did in colored pencil.  It is certainly not a fine piece of artwork but here I'm not really looking for detail as much as a feel and mapping out some of the composition.  I knew I wanted it to be about a crowing rooster on a wooden rail fence with an old wagon wheel.  The piece also had to have the signature morning glories that I have painted into the three other pieces in this "Down Country Roads" series. (Photo 1)

Photo 2-Rough Blocking in of the composition

This next photo is now of me blocking in the main elements of the composition.  I had to repaint that fence at some point because I realized I had made the classic mistake of letting it drift upward and I needed it to be straight.  I pulled out the trusty straight edge and got it back on track.  The background took me sometime to work out.  I finally decided on a the distant ruins of a barn and I think that was a good choice here.  Because I'm working with the canvas in a vertical position, I have a lot of depth to fill in the background. (Photo 2)

Photo 3- Adding Focal elements

With this photo you can see I've straighten the fence line and now begun focusing on the wagon wheel.  This proves to be a really challenge because I want it to have the illusion of leaning against the fence and so my perspective isn't straight on.  I'm not a draftsman or architect so getting the wheel to appear correct and balanced is an issue.  I choose to let it go off the page because it really needed to be that large in comparison to the fence post to look realistic.  I still think it may be too small but that is the difficulty I often face when painting a number of random items from reference photos that are not in the same setting.  (Photo 3)

Photo 4- Adding flowers, grasses and foreground hens

Now we are getting into the final elements of the composition.  I have decided the best thing to do to handle my lack of skill at painting circular wheel and spokes is to have an old board also leaning up against the fence with a healthy growth of beautiful morning glories.  All in all I'm pretty sure I made the right decision there.  I have also begun blocking in the two hens in the foreground. (Photo 4)

Photo 5- Rendering of details to add

This is a little rendering I did of what I had in mind of adding to my painting.  I wanted a couple of chicks fighting over a juicy worm for breakfast.  The sketch has also been added to my greeting card designs and I've matted and framed the original.  The resourceful artist and accountant in me will not let a good sketch go to waste lying in a forgotten portfolio but rather try to turn it into a future revenue source. (Photo 5)

Photo 6-Still blocking in the composition and adding depth

In this photo you can see I have blocked in the chicks and added more layers to the hens and depth to the morning glories and foliage.  (Photo 6)

Photo 7- And this is what it looks like today

 So here we are today and I'm entering into the final stages of this painting.  Did I mention that this canvas is 24 x 36"?  That is a rather large piece and so it does take sometime to work your way to the bottom.  Now I'm obligated to focus on all the details that still need to be added to make this piece really pop.  With a little effort I'm hopeful that this piece will be finished by the weekend and soon be available on my website.  I've taken you from "What the heck were you thinking" to "This might just work after all" to finally "I'm Lov'in it" all in 7 photos.  That is the normal progression for me as an artist.  It progresses from Awful-to Awkward-to Amazing!  Well at least we hope for the AMAZING part.

If you enjoyed my little assemblage of progression photos, leave me a comment below and take a minute to check out my website at JulieTownsendStudio.com.   

Painting My Country Roots

I moved out west to Las Vegas back in 1978 from my childhood home of Eldon, Missouri.  I was only a teenager at the time, but there is something about one's childhood that shapes and influences your life, perhaps more than the rest of your years spent as an adult.  I may have lived in this large city for all of my adult years, but in my heart I still identify myself as a country girl.

That is why I'm painting a series right now I feel I have a strong connection to and that I am calling "Down Country Roads."  I lived the best years of my childhood on a dusty dirt road surrounded by trees, flowers, wildlife and farming.  I love old farm houses, gardens, livestock, barns, porch swings, old mail boxes, barbed wire fences and fence posts covered in morning glories dotting every dirt road and 2 lane highway across this amazing country and they are my inspiration.

When it feels like crazy is becoming the normal,  I have to only return to my roots to find that this country is still full of good folk that appreciate the freedom to work hard and get their hands dirty, to raise their families and take care of their neighbors. This series of paintings are my tribute to that way of life and looking at them, frankly makes me smile.

"Fence Post Curiosity"- 36 x 24 Original Acrylic

This is my newest piece, just finished this week.  I'm calling it "Fence Post Curiosity".  Cows are curious creatures and will often watch you as drive by, especially if all your children are hanging out of the windows yelling, "MOO."  I just couldn't help myself and found that I had to add the cow licking her nose to the composition.   The consistent themes of blue morning glories are present as they are in the previous two pieces along with cheerful Black-eyed Susans.

This piece was a real challenge as I have never painted such large animals before.  The canvas measures 36 x 24 inches so this jersey cow is at least 2 feet tall.

Lunch Under the Mailbox- 36 x 24 Original Acrylic 

My second piece in the series that I have painted is called "Lunch Under the Mailbox".  I've blogged about this one previously and so if you follow me you know that I loved little box turtles growing up.  They were everywhere in the spring and summer.  They may move slowly but they are so persistent.  I remember many times just running in for a moment to get a drink or snack, certain that I could return in time to prevent my little reptiles escape on to find that there was no longer any trace of him.   

Life at the Fence Post- 36 x 24 Original Acrylic

This is the piece first piece that I came up with and at the time that I painted it I wasn't thinking about a series.  I simply was painting a piece that reminded me of summer.  The predominate color of green makes me think of Missouri in the summer.  Everything is SO green unlike the Mojave Desert that I call home now. 

This series will be presented together as part of a solo show that will be held in the month of April at the Boulder City Art Gallery in Boulder City, Nevada.  My goal is to have at least 2 more pieces completed by that time along with a number of smaller related paintings.  It will be a show worth seeing.  All these piece can be found on my website where you can find a link to order prints and see the rest of my work.  Just visit JulieTownsendStudio.com and click on the gallery tab.

Wanna Build a Snowman?

"First Snowman"- Original Acrylic on an 18x24 stretched canvas

Very often life floods in and takes over when I start to paint a composition.  I'm thinking of my childhood or some life experience that I have encountered along the way.  This piece that I'm calling "First Snowman" is no exception.  This painting is actually based off a photo taken of myself and my younger brother in front of my grandmother's place in Swedeborg, Missouri.  I'm not positive that this is the first snowman experience but because my grandmother took the time to build it with us it is the forever memory that makes this snowman standout from all the other snowmen in my childhood.  

I can still recall picking buttons out of her button box to aid in the creation of facial expressions on what otherwise just a cold blank stare.  Her plaid scarf around his neck and a silly knitted stocking cap finished off his accessories.  The picture snapped that day shows both myself and my brother, red cheeked and squinting from the bright sun but smiling ear to ear because a woman we greatly adored took time to make a memory in the life of a 4 and 5 year old.

The photo of us and the snowman was cute but we are standing in front of my grandmother's house with just a plain window and drab blue-gray aluminum siding as a backdrop so of course I had to make up a charming snowy barn scene.  That my friend is the joy of using artistic license.  

I will end this blog post today with a meditative question to myself, but one that I hope you too will consider.  I have to wonder that now that I am a grandma soon to be seven times over, do I do enough making of memories with my own grandchildren?  I can make my life get so busy that I'm not so sure that I've done the best job in the memory department as I could.  I think it is time to do some planning as the holidays approach and carve out some memory making activities.