2016- The Art Year

I have several times spoken about the influence that artist Tim Gagnon had on me in regards to starting my art journey. I thought, on this last day of 2015,  I would just remind everyone of his contribution and how his online lessons helped restore my confidence and enabled me to pick up a paint brush after nearly 30 years.

It was back in 2010 and I had just taken a drawing 101 course at the local community college with my youngest son.  I wanted to keep that momentum going by taking a painting course.  I stumbled upon Tim's 12-week online painting lesson while searching for alternative options to taking a painting class at the college.  My interest has always been with landscape painting and I figured that in a traditional college setting I might not be able to learn techniques needed to paint in the style I was interested in.  Not to mention the travel and time involved with attending classes.  Tim's online landscape lessons were perfect and I have been a fan of his work ever since.

Today, I saw that he was declaring 2016 The Art Year and was starting a new blog just for that purpose. He was saying exactly what I have been thinking in my own pursuit of art.  I have been doing a lot of questioning about where I want to be and how am I going to get there.  I've been doing a great of thinking about co-op galleries, art licensing and self-promotion.  What is been effective in advancing my art and what are actually distracting me from pushing myself towards my goals?

 I believe that I too am going to take up Tim's challenge to make this year MY ART YEAR and spend more time pursuing creativity and personal change in my life.  This blog that I have been contributing to since early 2011 will also be getting a complete makeover.  I encourage you comment about what 2016 is going to bring for you and to follow this blog.  Be sure to check out Tim's new blog at Tim Gagnon.

Art is a Family Affair

Being an artist is for me very much a family affair.  I'm so blessed to have the support of my husband and children with making my dreams a reality.  I couldn't do this without them.  My husband follows me to galleries and artshows, helping pack and unpack the truck, hang artwork or make a frame if I need with very little complaining.  

My children endure a constant barrage of photographs sent to their cell phones of my newest works in all steps of completion and are always my most energetic cheerleaders.  My adorable grandchildren actually have no memory of a time when grandma didn't paint and there wasn't a "STUDIO" in my home.  I LOVE IT!  Here is one of them modeling my most recent masterpiece!  This little guy would make any artwork look good.  I love that he comes into the studio and picks up a dry brush and pretends he is painting chickadees with grandma.  I can't wait to be able to give them painting lessons and spark that creativeness that I know is there.  

DEVELOPING MY STYLE- OLD DUSTY PROSPECTOR TO MARILYN MONROE

I have recently had the great pleasure of going through a free e-course offered by Jason Horejs, owner of Xanadu Gallery and author of the book “Starving to Success”.  I know the information I am learning in this series of emails, reading his book and joining the free webinars is going to be key to me reaching my long-term goals as an artist.  

One of the take away points that I wrote down this week in my notes is:  "The most important thing you can do for your art career is develop a consistent style."  At first when I read this I thought that referred mostly to subject matter. For example when I think of successful artist Nancy Medina, I can't help but think of flowers.  She paints flowers of every shape and color with consistency and passion from her studio in Flower Mound, Texas.  Her work seems to sell before the paint even dries or her brushes are washed.  On occasion I see her paint a garden scene, a chicken or even her latest romantic dress series but her colorful and loose style is still present.  Check out her work and you will see exactly what I mean.   I have her website link listed below under my favorite artist links.

Another artist that I admire his work greatly and give all the credit to for my return to painting is landscape Tim Gagnon.  His basic landscape painting course was amazing and lit the fire in me to pick up my brushes and get to work.  He is a master at painting landscapes that contain amazing trees and clouds.  I can instantly pick out his pieces amongst a page of landscape images.  His method of painting dictates his style and even if he paints a portrait I can still see Tim Gagnon all over it.  His website link is also found below.

  

I have for a number of months now been sketching portraits when I wasn't able to paint.  I have a stack of what I think are pretty nice sketches and so you shouldn't be surprised that a number of my paintings this past year have included human subjects.  Granted they are usually old dusty prospectors, but human never the less.  They have also been getting larger and with more detail until lately they subject has become the portrait and not just a human form added to a landscape. 

Portraits are challenging indeed, but I find myself excited about the challenge. This week I had the amazing experience of painting a piece in a few hours that was wildly received on my social media network.  It actually sold within 10 minutes of me posting the picture.  That is a definite first for me and something I hope to repeat.  

So here she is.... 11x14 Acrylic called "Marilyn-A Vision in Pink".  I used my Alizarin Crimson for her skin tone, Pthalo Blue for her hair and even highlighted her hair with Iridescent Gold.  She really pops on the black background.  For fun I also painted Audrey Hepburn in Blue just before my attempt at Marilyn and while many commented how much they liked her and how ARTSY she was,  I couldn't help but think she looked like a smurf...A cute smurf but a smurf none the less.  So am I still going to be painting Nevada landscapes and dusty prospectors?  YES....but this week I gave into my desire to loosen up and get wild with color and I'm having a blast!

"Marilyn-A Vision in Pink"  11x14 Acrylic

Sometimes it's CHICKENS and Sometimes it's FEATHERS

A hard reality that I'm certain that most artists have faced is that unless you are independently wealthy most of us actually want to sell our work....Probably so that we can buy more paints and a couple more canvases.  I hear artists talk about "The Good Old Days" before the economy failure and collapse, when there were collectors out there that actually paid money for your artwork.  Unfortunately, during that time period I was busy pushing a 10-key and was stacked up to my eyeballs with paperwork, working as the business administrator for a large private Christian school and church.  Painting was a far distant memory and the dream of being an artist was pushed so far down in my heart that I really didn't even give it serious consideration.

That all changed a couple of years ago when I decided to finally take that drawing class at the local community college.  For years I attended college classes there and online with University of Phoenix but each class always consisted of either being business or accounting related and it wasn't until I had gotten my BSBA did I even think I could take a "FUN" class.  With drawing 101 under my belt, I decided to give some online painting lessons a try so that I could try to resurrect that skill that I had so long let lie dormant. I went through the 12-week landscape lessons presented by Tim Gagnon (timgagnonstudio.com) and my excitement and confidence was reignited and the past three years are history.

So I have been retired from my "day" job for 6 months and now I'm painting full-time.  I've sold a couple of things this year but like all the other artists I know, I want to sell much more.  So I have my work hanging in a little co-op gallery in town and have packed up my "inventory" and hauled it out to a number of art shows.  I've created a nice website and paint almost daily.  I've decided that I'm going to offer smaller pieces that I can produce in less time and hopefully sell in a price range that will entice potential buyers to dig into their wallets.

Yesterday, even though I prefer to paint much larger, I created my first 8x10 masterpiece that I spent about an hour painting.  I chose chickens as the subject matter because I have witnessed the reaction that my fellow artist and friend Anna Norris got from the public when they saw her "Rainbow Roosters".  annanorrisfineart.blogspot.com  So I'm going to be offering 8x10's for about $50 instead of my normal price range of $150-$300.  This piece I think I'm going to call "Chicken Little" and it will be the first of a number of smaller pieces I'm going to paint in the next few months.  I hope you enjoy.

"Chicken Little"- 8x10 Original Oil

What Moves You?

I would love to hear about an experience that you had when a piece of art "MOVED" you and stirred an emotion within your soul.  Where were you and do you remember the details of the piece or the artist's information?

I was reading through my Facebook updates this morning and had to read an entry by fellow artist (I love saying that) Elizabeth Robbins.  She stated, "This is why I paint. My soul touches another through my paintings."  She went on to share a letter that she had received from a collector that had just purchased one of her paintings and had relayed the emotional response that the collector's husband had when he saw the painting for the first time.  

Moving the viewer is what art is all about.  My goal with each piece should be to transfer the emotion that I felt when I was taking that hike, viewing the sunrise or witnessing the color splash of a blooming cactus against a rugged landscape to the viewer.  Now not everyone is going to be impacted the same by my art.  Often there will be a memory stirred of a place visited or a special childhood remembrance brought to mind and we don't all share the same memories or emotions.    A piece of art isn't just a wall decoration that is purchased because of the current color of your sofa.  Real art should be something that makes a connection to the viewer.  You want that person to love looking at your piece everyday and never grow tired.  I of course am not implying that my work has reached that level yet but as a landscape artist that is a level I'm trying to attain.  My work may never hang in a famous gallery or be invited to show internationally like some artists enjoy, but someday I too hope to have collectors of my art and people bringing me photos of some favorite vacation memory to commission a piece for them to cherish and pass on to their children.  

As my mission statement declares, "I want to leave little pieces of my heart framed and hanging on a wall for everyone see it, appreciate it and remember me by."  If your interested in seeing my work, be sure and check out my website and gallery at julietownsendstudio.com.

Here is the latest piece I have completed during my lessons with landscape artist, Lily Adamczyk.  This piece MOVES me and I hope that it has that same impact on you.   My goal with taking lessons is that I will be able to paint with such proficiency and color accuracy on my own without Lily looking over my shoulder.  I just want to be a sponge and  soak up the 40 years of her experience in each two hour session, but that takes time and LOTS of practice. Oh and LOTS of LESSONS!

Making a Plan

I've started reading a book called "Painting Better Landscapes" by Margaret Kessler and right off I knew I was in trouble.  The book begins as soon as page 14 talking about a plan...You are supposed to have a VALUE PLAN.  Ms. Kessler states," Planning the values in your sketchbook is probably the most neglected aspect of the painting process.  I cannot overemphasize its importance."  I guess that says it pretty clearly.


Sketching out my plan with pencil or charcoal is something I have never done up to this point.  I just start a new piece by covering the canvas with paint and then painting, excuse me for using the old saying, "by the seat of my pants".  I was keenly aware that on my first painting lesson, that while we didn't grab a pencil, my teacher, Lily Adamczyk had me block out all the main areas of my painting using a neutral colored paint.  She quickly planned which trees we wanted to emphasize and which ones were in the wrong place in my photo. When I actually started painting, I had a plan.  Of course it was Lily's plan because at this point, I'm still very much lost in the transition between using acrylic to oil and trying to understand Lily's approach and techniques.  Let me show you what I mean...

Here is what my masterpiece looked like at the end of my first two hour lesson.

The Initial Plan

Blocking out the colors of the background and the foreground

Working from Top to Bottom, Back to front

  Ms. Kessler lists on page 8 of her book the five progressive steps to construct a painting:

1. Visualize the idea
2. Composing the idea (blueprint)
3. Establishing the values (foundation)
4. Blocking the color harmony (framework)
5. Refind the details (finishing)

On the same page, Ms. Kessler also addresses the importance of developing your own style by stating a very simple but powerful truth.  "As long as you are following someone else's lead, you will always be behind."

So today, I'm digging out those very neglected sketching pencils, overused kneadable eraser and grabbing one of the many empty sketchbooks that are in my studio so that I can begin to discipline myself to MAKE A PLAN first, before I ever grab a canvas or pick up a brush.

Painting lessons

I think there comes a time in the evolution of artistic growth that you have to receive actual lessons from other successful artists. Today is that day for me. I feel that to accelerate my skill to a higher level, it is necessary to take some lessons and so I have schedule a session with a wonderful local artist, Lily Adamczyk. To check out her work, just follow this link to her gallery album.  https://plus.google.com/photos/114822472710447410577/albums?banner=pwa

Her skill in painting landscapes far exceeds my own and so I am looking forward to my 2 hour painting session with her today. She asked me last night what I wanted to work on during my lesson today and my reply was that I needed to improve specific landscape elements such as water, rocks and clouds. I really feel that I am going to learn a great deal from Lily and so I am going to blog each week about my lessons and share my accomplishments. Right now I'm looking at a blank canvas, white and empty but full of potential. My Saturday stretches before me and I can only dream of that completed piece that will soon emerge. I think that is the magic of painting...the possibility of transforming that blank canvas into a work of art.