On It's Way to Washington DC

This week I was given the pleasure of designing and creating a unique Christmas ornament that represents the State of Nevada and that will be hung on the National Christmas Tree in Washington DC.  What a great time I had doing this project.  I did feel a bit funny not painting a white snow scene, but I am recently returned from a weekend trip to enjoy the fall colors on the 33 mile drive called Success Loop near Ely, Nevada.  Part of the drive is covered in a mature aspen grove.  The sounds, the colors and the beauty still fill my memories and it was that image of Nevada I wanted to portray on this plastic globe.  As you can see from this picture the ornament is actually pretty good sized and began as 2 halves of a clear plastic ball.  

I put a gray primer coat on the ball initially and tried to apply acylic paint directly on top of the primer.  I didn't like how this was working so changed gears and painted the whole ball a blue color.  I think created all the artwork on paper using my Prismacolor pencils and pen and ink.  I think cut them all out and glued them to the surface of the ball.  I then came in with acrylic painted and added the leaves and the grasses.  I also painted a number of small pebbles in silver paint and glued them to the top of the ornament.  This represents silver nuggets and of course the state of Nevada is know as the Silver State.  To finish off the project I sprayed the whole thing with fix-it spray and then a couple coats of spray on clear varnish to add shine and to make sure everything stayed in place.  

I decided to add a detailed Mountain Bluebird because they are not only a beautiful bird, but they are after all, the state bird.  Our first trip driving the Success Loop we saw a number of deer so I wanted to include a young buck.  Of course on my ornament I tried to duplicate that shimmering and sparkle that only quacking aspen trees can produce.  I don't think I even came close, but I guess I probably gave a modest representation and you are at least able to guess what I'm trying to convey here.

Since it is difficult to get all views of a circular globe with just one photo, I created a collage of all 4 sides so that you could get a better feel of what the ornament looks like.  I hope you enjoy it as much as I did creating it.  

Check out all my artwork on the gallery link above or on my website at JulieTownsendStudio.com

The Adventure Continues

It's been a couple of days since I last gave an account of my artistic vacation adventure.  We have been pretty busy exploring the hills around the Ely, Nevada area.  When I'm not being bounced around in the front seat of our F250, I'm making meals or thinking about my art.  Let me catch you up on both our exploring and the drawing and painting I have been working on the past few days.

Our trusty Ford truck.  You've carried us to lots of amazing places!

Sunday, after church, we took the drive that had been suggested to us called "Success Loop".   This drive was amazing.  It is 33 miles long and starts a few miles past the small town of McGill and ends about 15 miles outside of Ely.  You literally are making a giant loop through the mountain range east of Ely.    The road is paved for a short distance on both ends, but then turns into a typical gravel road.  When we traveled it there would be no issue with a car driving the loop but I had read that at times when it rains the road can become flooded and high clearance vehicles are recommended.  Since we own three 4WD vehicles most roads are never a concern to us.

Success Loop Road

Nevada is open range country so we did have to stop several time for some "Slow Elk" in the road and were privileged to also have 3 deer sightings.  Several miles up the road, as you gain altitude, you find yourself in a large grove of mature aspen trees.  The sound that the slightest breeze makes passing through those leaves is so amplified and serene.   The light of the sun reflecting down through their filtered branches just dances and twinkles and you know exactly why these trees are called "quakies".  We have already started making plans to return to this area in October just to see these trees dressed in their fall colors.  If you are anywhere near this area, you must take a couple of hours out to drive this loop!

Awesomeness along the way!

I think we drove out to Garnet Hill on Monday and then again on Wednesday.  We found a number of really nice sized garnets down the hill just by walking around.  I think we figured out that there are plenty of garnets for those that have the patients to walk around looking for them.  The professional garnet hunters bring all the tools and toil in the dirt, breaking open piles of rocks while breaking a sweat and their back in the process.  I just want to fill up a little vile or jar to sit on my shelf.  I'm happy with the little ones.  I'm sure in the next two weeks we will go up there several more times to add to our collection.

Cave Lake

Today we drove out to Cave Lake to just scout out the location.  Some of our kids are coming up for a visit and I wanted to see if this might be a place for us all to enjoy an afternoon.  We didn't pay the fee to enter the park but the scenery just from the 15 min parking zone at the entrance was breathtaking.  I'm sure it is well worth the $5 for a Nevada resident to pay to drive on around the lake.

My little creative corner, complete with a large cup of McDonald's coffee of course.

Because I fancy myself to be somewhat of an artist and because this is predominately an art blog, I thought I might share a picture of my little art corner I have set up in our camper.  Small but efficient, I have all my pens, markers and colored pencils close at hand.  There isn't much room for my acrylic paints so they are store outside in a tub.

Artistic Journal entry detailing my owl encounter

This week I was privileged to have a for real sighting of a great horned owl.  This magnificent creature was perched on a branch a few space down from our camper and his giant yellow eyes were focused on me.  For sometime we just stood there staring at each other.  It was amazing.  I have since  been obsessed with those eyes.  I did a journal page in my artistic journal about it and now 

Sorry for the cell phone picture

I have started a 10 x 20 inch acrylic painting of a full bodied owl. I'm loving how he is turning out so far.  The funny thing is that inside our small camper trailer he seems to be staring at me with those huge yellow eyes no matter where I move.  Of course in 23' you can't move very far.  

 He will be sitting in a pinyon pine tree among pine needles and a perhaps a green pine cone or two. Similar to the ones I included in my artistic journal a week ago.   You can see he looks to be patiently waiting for me to pick up my paint brushes and get on to finishing up the details.  Maybe he will be finished for my next blog post.  You will have to come back and visit me to see for yourself.

Time for a Make Over

I'm pretty sure I'm not the only artist out there that has painted something to then several years later pull it out from a dark corner of the studio storage closet to have a "What was I thinking?" moment.  After all, even the masters were known to paint over pieces that they decided they didn't like. Have you ever painted over a canvas or do you just open a new one?   

Last week I pulled out the piece I painted back in 2012 and was struck with what I saw were flaws in my composition and execution.  I had an overwhelming desire to FIX it!  And fix it I did.  This painting is 24 x 36 and was based off photo and memory of our hike at Galena Creek Trails near Reno.  The Aspens were ablaze with color and the chill in the air was invigorating.  I painted several pieces based off reference material taken during that hike but this was one of two larger pieces that I painted.       

This was my original piece that I called "Morning Trail"

 I really liked the idea of the aspen grove and the trail that goes off the canvas to the right and then continues towards the top.  It gives that fell of climbing to a higher elevation.  I liked the shadows and light but I didn't care for fence that seemed too tall and was cutting the canvas in half.

Undergoing a drastic transformation

I approached this make over backwards to how I would have painted the original piece.  Rather than painting top to bottom I actually began in the bottom right corner and began working my way up the painting.  I was happy with they bottom portion of the composition right away and couldn't wait to see how the rest of the changes I had in mind worked out. 

Completed just today- "Mountain Trail"- 24 x 36 Original Acrylic on stretched canvas

Here you can see that I have painted over most of the foliage and removed the fence.  I wanted the leaves to have a dainty shimmering appearance that is so typical of aspen trees and I felt that I really had to redo them to get that effect I wanted.  I left the back ground trees in place but decided to change the middle ground aspens to be more of a small sapling growth. 
For more depth I added a mountain range visible in the background and let more pine trees be visible.  The pines make a very nice dark background to contrast the bright yellow of the aspen leaves.  Rather than an old split rail fence, which was actually really part of the scene there on the trail, I decided to add a fallen tree.

PLEASE LEAVE ME A COMMENT AND LET ME KNOW WHAT YOU THINK.  DO YOU AGREE THE PIECE IS NOW IMPROVED OR DID YOU LIKE THE ORIGINAL PAINTING BETTER?

Autumn Gold- 24x36 Original is sold

16x20-Galena Creek Trails

Galena Aspens

Light and Contrast

Taking private painting lessons would be a complete waste of money if I didn't apply the things I learn in each following painting.  In seven lessons, I have really only accomplished one painting to completion, but I have taken several pieces that I have completed independently to have them evaluated.  As I have blogged on previous occasions, my instructor, Lily Adamzcyk gives a brutally honest critique of each work.  Techniques have been analyzed such as how to paint specific elements like grass, water and never use white to brighten.  Probably the most important lesson I have tried to implement is that of light and contrast.  For a painting to have depth and interest you must have both. 

Keeping that in mind I began working on this large piece that was inspired by a fall hike that I took with my son and daughter-in-law near Reno.  The colors were just beginning to change and the birch trees nearly glowed in contrast to all of the darker pines.  The bright morning sunlight filtered across the trail whenever the foliage gave opportunity. 

Because of their prominence in the composition, you would first think that my main focus here is the grouping of the three birch trees near the trail but in actuality, it is the sunlight that is really the star here. I have attempted to show the trail and grass highlighted by the sunlight in a number of locations.  It is almost as if you have walked out of the darkness and into the light as the trail absorbs the energy and warmth of the morning rays.  This energy continues as the trail briefly disappears only to return brighter as you are prompted to continue up the mountain.

At my next lesson, I am sure that there are refining details that Lily will use to help me improve this piece but I think that she will immediately know that I have been listening.

24 x 36 Oil- "Morning Sunlight"

Week 3-Be Patient and Paint the Plan

My oil painting is progressing along nicely and I'm pleased at the progress.  I knew that I would learn a lot by taking one on one lessons but I find myself struggling at my home easel now.  I'm trying to incorporate the things I have leaned these past 3 lessons into my own works at home and I feel a bit lost.  I think this is normal and I just have to keep working at it until I break free of old habits and take my time staying with the plan.  Painting TOP to BOTTOM, BACK to FRONT.  No cheating even if I can't wait to see how that bright yellow foliage of the Aspen trees are going to pop against those dark green pines.

For the past two years that I have returned to my childhood passion,  I have been committed to practicing and have painted nearly 100 pieces.  Some of course better than others.  I have sold about 8 pieces in that time but have many stacked around the house.  I believe I have shown my dedication and have reached that point of taking my art to the next level.  Private lessons are what I feel is needed for me to advance to the next level. 

I think there are plenty of other new, struggling artists that must feel the same way that I do.  At 51 years old, do I have enough time to progress my talent to where I want it to be?  Only God knows that answer,but in the mean time I want to either be painting, teaching or sharing what I am learning with others by blogging about my experiences.

Original Photo that I chose to use as the inspiration for my first oil painting

WK 1- Laying out the composition by sketching the main details using a neutral colored paint

WK 1- blocking in the main base colors that will eventually be the mountains, sky and foreground

WK 1- Stopping the first lessons with my canvas covered in a layer of acrylic paints.

WK 2- Here I am painting my canvas top to bottom and back to front.  Most of this background area will be covered up with my foreground details but you have to give the viewer that distance to create interest

WK 3-  Here I have changed the mountain color from purple to more blue.  Blue gives a better feeling of distance because of the haze created in the atmosphere that gives a blue tint to objects in the distance.  I have focused on my areas of light and shadow and developed the path way.  The view's eye is drawn to both areas in the distance that reflect the sunlight.  It makes you feel that the path continue down over the hill and there must be something interesting there.