Making a Big Impact With Just a Pen and Some Colored Pencils

I have always loved sketching from the earliest age I can remember.  In school or in meetings, you will often find my paper covered with strange doodling.  I'm sure this isn't unique to just me, but it helps me understand why recently that I find myself often reaching for a pen and a piece of paper rather than a paintbrush and canvas.  Oh don't worry, painting is something that I will never tire of, but when I can't paint I will often draw.  This past couple months I have turned to the pen and combined that with either colored pencils or a watercolor wash to finish off my creation.  Below are two floral pieces that I have completed and wanted to show to you.

Nature's Bounty- 11x14 Pen / Colored Pencil

This is the first floral sketch that I did and I decided to only add color to the fruits and flowers.  I liked the contrast that this effect created.  I decided also to make my apples green to give a variety of color.  Perhaps I should have gone with an odd number of apples.  Three apples might have been more interesting than just two but this is an observation after the sketch was completed and therefore is something I will have to consider if I repeat this composition.

Nature's Bounty of the Sierra Nevadas- 11x14 Pen/Colored Pencil

Once again I decided this week to do a second floral piece.  Keeping with my wild roses, blackberries and pine cones for this sketch.  I did decide to change some of the fruits represented.  I found that there is a variety of wild plums that grow in the boarder area of Nevada, California and Oregon that is called the Sierra Plum.  Also a very interesting berry that grows in the Sierra Mountains is that of the gooseberry.  What a odd looking berry it is.  Full of stickers but I read that once you get past the sticky exterior that the fruit itself is amazingly sweet.  I know there is good sermon material in there somewhere.

With this composition, I decided to color all parts of it with my prisma colored pencils.  It turned out to perhaps have more red and pinks then I would have originally considered but I love how that makes the foliage and the blackberries stand out.

Both of these pieces will be available on my website JulieTownsendStudio.com and on Fine Art America- Fruits of the Sierra Nevadas or Fine Art America- Nature's Bounty  if you would like to order prints or cards.  I will also be making up my own original cards of both of these designs so just let me know if you would like to purchase a pack of 12 cards. 

There is Just Something Stunning about Birch Trees

This week I have been working on a large 24 x 36 acrylic painting that I think I'm going to call "Autumn Gold".  This painting was inspired by a collection of photos that we took while on an October hike, with my oldest son on the Galena Creek Trail, near Reno, Nevada.  A beautiful hike and has been a continued inspiration for me as I have produced a number of paintings in this past year from the photos we took.

There is just something amazing about the color and contrast that birch trees bring to a mountain slope.  The leaves have a quality that make them almost appear to sparkle when there is a gentle breeze blowing across of the mountain side.  The white of the bark glows and provides a striking contrast to the heavy pine trees in the area.

With this piece I've attempted to capture that feeling of a crisp October afternoon as you walk along a small mountain stream somewhere in the mountains.   The sounds of the breeze and water fill your ears as you stand frozen just drinking up that peace and beauty.

I might add a little bird in the pine tree but haven't decided for sure. I have used a paste medium additive to my paints for the first time.   This gave me a thicker application that I actually applied with a palette knife to give that impression of heavy bark on the pine tree.  That was fun and I think the final results turned out just as I had hoped for.

Light and Contrast

Taking private painting lessons would be a complete waste of money if I didn't apply the things I learn in each following painting.  In seven lessons, I have really only accomplished one painting to completion, but I have taken several pieces that I have completed independently to have them evaluated.  As I have blogged on previous occasions, my instructor, Lily Adamzcyk gives a brutally honest critique of each work.  Techniques have been analyzed such as how to paint specific elements like grass, water and never use white to brighten.  Probably the most important lesson I have tried to implement is that of light and contrast.  For a painting to have depth and interest you must have both. 

Keeping that in mind I began working on this large piece that was inspired by a fall hike that I took with my son and daughter-in-law near Reno.  The colors were just beginning to change and the birch trees nearly glowed in contrast to all of the darker pines.  The bright morning sunlight filtered across the trail whenever the foliage gave opportunity. 

Because of their prominence in the composition, you would first think that my main focus here is the grouping of the three birch trees near the trail but in actuality, it is the sunlight that is really the star here. I have attempted to show the trail and grass highlighted by the sunlight in a number of locations.  It is almost as if you have walked out of the darkness and into the light as the trail absorbs the energy and warmth of the morning rays.  This energy continues as the trail briefly disappears only to return brighter as you are prompted to continue up the mountain.

At my next lesson, I am sure that there are refining details that Lily will use to help me improve this piece but I think that she will immediately know that I have been listening.

24 x 36 Oil- "Morning Sunlight"