Time for a Make Over

I'm pretty sure I'm not the only artist out there that has painted something to then several years later pull it out from a dark corner of the studio storage closet to have a "What was I thinking?" moment.  After all, even the masters were known to paint over pieces that they decided they didn't like. Have you ever painted over a canvas or do you just open a new one?   

Last week I pulled out the piece I painted back in 2012 and was struck with what I saw were flaws in my composition and execution.  I had an overwhelming desire to FIX it!  And fix it I did.  This painting is 24 x 36 and was based off photo and memory of our hike at Galena Creek Trails near Reno.  The Aspens were ablaze with color and the chill in the air was invigorating.  I painted several pieces based off reference material taken during that hike but this was one of two larger pieces that I painted.       

This was my original piece that I called "Morning Trail"

 I really liked the idea of the aspen grove and the trail that goes off the canvas to the right and then continues towards the top.  It gives that fell of climbing to a higher elevation.  I liked the shadows and light but I didn't care for fence that seemed too tall and was cutting the canvas in half.

Undergoing a drastic transformation

I approached this make over backwards to how I would have painted the original piece.  Rather than painting top to bottom I actually began in the bottom right corner and began working my way up the painting.  I was happy with they bottom portion of the composition right away and couldn't wait to see how the rest of the changes I had in mind worked out. 

Completed just today- "Mountain Trail"- 24 x 36 Original Acrylic on stretched canvas

Here you can see that I have painted over most of the foliage and removed the fence.  I wanted the leaves to have a dainty shimmering appearance that is so typical of aspen trees and I felt that I really had to redo them to get that effect I wanted.  I left the back ground trees in place but decided to change the middle ground aspens to be more of a small sapling growth. 
For more depth I added a mountain range visible in the background and let more pine trees be visible.  The pines make a very nice dark background to contrast the bright yellow of the aspen leaves.  Rather than an old split rail fence, which was actually really part of the scene there on the trail, I decided to add a fallen tree.

PLEASE LEAVE ME A COMMENT AND LET ME KNOW WHAT YOU THINK.  DO YOU AGREE THE PIECE IS NOW IMPROVED OR DID YOU LIKE THE ORIGINAL PAINTING BETTER?

Autumn Gold- 24x36 Original is sold

16x20-Galena Creek Trails

Galena Aspens

Light and Contrast

Taking private painting lessons would be a complete waste of money if I didn't apply the things I learn in each following painting.  In seven lessons, I have really only accomplished one painting to completion, but I have taken several pieces that I have completed independently to have them evaluated.  As I have blogged on previous occasions, my instructor, Lily Adamzcyk gives a brutally honest critique of each work.  Techniques have been analyzed such as how to paint specific elements like grass, water and never use white to brighten.  Probably the most important lesson I have tried to implement is that of light and contrast.  For a painting to have depth and interest you must have both. 

Keeping that in mind I began working on this large piece that was inspired by a fall hike that I took with my son and daughter-in-law near Reno.  The colors were just beginning to change and the birch trees nearly glowed in contrast to all of the darker pines.  The bright morning sunlight filtered across the trail whenever the foliage gave opportunity. 

Because of their prominence in the composition, you would first think that my main focus here is the grouping of the three birch trees near the trail but in actuality, it is the sunlight that is really the star here. I have attempted to show the trail and grass highlighted by the sunlight in a number of locations.  It is almost as if you have walked out of the darkness and into the light as the trail absorbs the energy and warmth of the morning rays.  This energy continues as the trail briefly disappears only to return brighter as you are prompted to continue up the mountain.

At my next lesson, I am sure that there are refining details that Lily will use to help me improve this piece but I think that she will immediately know that I have been listening.

24 x 36 Oil- "Morning Sunlight"

Week 3-Be Patient and Paint the Plan

My oil painting is progressing along nicely and I'm pleased at the progress.  I knew that I would learn a lot by taking one on one lessons but I find myself struggling at my home easel now.  I'm trying to incorporate the things I have leaned these past 3 lessons into my own works at home and I feel a bit lost.  I think this is normal and I just have to keep working at it until I break free of old habits and take my time staying with the plan.  Painting TOP to BOTTOM, BACK to FRONT.  No cheating even if I can't wait to see how that bright yellow foliage of the Aspen trees are going to pop against those dark green pines.

For the past two years that I have returned to my childhood passion,  I have been committed to practicing and have painted nearly 100 pieces.  Some of course better than others.  I have sold about 8 pieces in that time but have many stacked around the house.  I believe I have shown my dedication and have reached that point of taking my art to the next level.  Private lessons are what I feel is needed for me to advance to the next level. 

I think there are plenty of other new, struggling artists that must feel the same way that I do.  At 51 years old, do I have enough time to progress my talent to where I want it to be?  Only God knows that answer,but in the mean time I want to either be painting, teaching or sharing what I am learning with others by blogging about my experiences.

Original Photo that I chose to use as the inspiration for my first oil painting

WK 1- Laying out the composition by sketching the main details using a neutral colored paint

WK 1- blocking in the main base colors that will eventually be the mountains, sky and foreground

WK 1- Stopping the first lessons with my canvas covered in a layer of acrylic paints.

WK 2- Here I am painting my canvas top to bottom and back to front.  Most of this background area will be covered up with my foreground details but you have to give the viewer that distance to create interest

WK 3-  Here I have changed the mountain color from purple to more blue.  Blue gives a better feeling of distance because of the haze created in the atmosphere that gives a blue tint to objects in the distance.  I have focused on my areas of light and shadow and developed the path way.  The view's eye is drawn to both areas in the distance that reflect the sunlight.  It makes you feel that the path continue down over the hill and there must be something interesting there.